Tapa blanda

Español

Anaya Multimedia

Peachpit

Aprender a trabajar con la luz es un hito importante en la carrera de cualquier fotógrafo y la capacidad de manipular la iluminación para que se ajuste a la visión que tenemos de una imagen es una habilidad que siempre hay que valorar. Por lo general, al hablar de ese manejo de la iluminación nos centramos en la calidad y en la cantidad de la luz, pero hay un tercer componente importante que influye mucho en el aspecto final de la imagen: el color de la luz.  En este libro, el fotógrafo Nick Fancher le ayudará a desarrollar sus habilidades a la hora de introducir el uso del color atrevido, creativo e intencionado en su trabajo.  Tanto si utiliza una potente luz estroboscópica como si emplea un pequeño flash en su cámara, este libro es para usted. Nick comienza con una explicación sobre la teoría del color, geles y equilibrio de blancos, y después examina el modo de determinar qué colores complementan el motivo (ya sean personas u objetos).

Anaya

Croma. Iluminar con color

The concept for Studio Anywhere came from photographer Nick Fancher's experience trying to build model shots for his portfolio. As a young professional photographer with a family, he didn't have the money to rent out a studio, and he wasn't familiar with all the areas around some of his models' locations (when he was traveling, for example). So he started shooting in the models' living spaces. Each place was different-a penthouse here, a dark art space there-and they all forced him to think a bit outside the box and seek out photographic opportunities. He also had to carry little gear, traveling light.All this gave him the idea for this book, which highlights what one can do with a bit of portable gear, a grasp of photographic basics, and a lot of imagination in order to see the possibilities in any given situation. In Studio Anywhere: A Photographer's Guide to Shooting in Unconventional Locations, Nick will cover different "studios" that can be created anywhere, from a basement to a street, from an office to a park, from a living room to a backyard. And he will do all this with just the following gear: 1-3 Speedlites, a foam core board, a grid for the flash, an umbrella, an ND filter, and gaffer tape. And because his photos have a unique "look" to them, Nick will also include his post-processing in Lightroom, with occasional "pro tips" as he jumps over to Photoshop for just a bit of heavier lifting in the digital darkroom.Nick will also have a "Deconstruct this photo" thread running throughout the book (one for each studio section), which will help students be able to better read photos (how many lights were used? what kind of modifier was used? where was the light placed?) in order to "reverse engineer" them, so that they can recreate similar lighting scenarios themselves. After reading Studio Anywhere, students will be inspired to get out and shoot in more "unconventional" locations, and will be equipped with the knowledge and know-how to do so.

Croma. Iluminar con color (2019)

Studio Anywhere. A Photographer's Guide To Shooting In Unconventional Locations