Pintura barroca en Valencia (1600-1737) ilumina un escenario muy poco conocido de la historia del arte español. En paralelo al desarrollo de los focos artísticos de Madrid ?capital de la Monarquía Hispánica? y Sevilla ?núcleo comercial de su vasto territorio trasatlántico?, Valencia se revela como un centro de producción pictórica de primer orden durante el siglo XVII y primeras décadas del XVIII. A través de sus lazos comerciales y culturales con Italia, recibió la influencia directa de importantes creadores, como Sebastiano del Piombo, José de Ribera, Pietro da Cortona, Carlo Maratta o Corrado Giaquinto. La tradición vernácula, que pervivía a la sombra de grandes figuras como Juan de Juanes o Juan Sariñena, se enriqueció con esas influencias y creció pujante con los valores novedosos que le aportaron artistas foráneos sobresalientes como Francisco Ribalta, Pedro Orrente y Antonio Palomino.

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Centro De Estudios Europa Hispanica

Pintura barroca en valencia (1600-1737)

Juan Conchillos Falcó (1641?1711) was one of the most prominent painters of the Valencian Baroque school. As he has not enjoyed widespread historiographical recognition, he is currently fairly unknown to the general public. One of the aims of this book ? along with the study and cataloguing of his graphic production ? is to highlight the important role he played in the process of breathing new life into the Valencian painting tradition in the late 1600s. This was made possible by a productive stay in Madrid, during which he frequented some of the academies established there and became acquainted with the works of the great painters of the court circle. According to his friend the painter and treatise writer Antonio Palomino (1655?1726), Conchillos returned to his hometown highly skilled in the art of painting and drawing.When he opened his own painting academy in Valencia, he introduced the teaching methods he had learned at the court, encouraging the practice of drawing. His interest in this discipline can be seen today in the large number of surviving works on paper, many of them signed or dated, which makes him one of the most productive Baroque painters in this field in Spain. Although the book also addresses aspects of his biography and his painted output, it focuses chiefly on his work as a draughtsman, examining this practice in the context of the Valencian school of his time. This is a revised and updated catalogue raisonné comprising 95 works, which has weeded out misattributions and includes many hitherto unpublished drawings. They reveal the creativity and originality of an artist who excelled not only in his teaching but also in his skilful use of different techniques and the diversity of themes in his output.

Pintura barroca en valencia (1600-1737) (2021)

Dibujos De Juan Conchillos Falco (1641-1711). Catalogo Razonado (2026)